![]() ![]() He runs Acropolis Cinema, a screening series for experimental and undistributed films, and is a member of the Los Angeles Film Critics Association. SHAMBHAVI KAUL with Jordan Cronk MAY 2016 The work of the India-born, Durham-based filmmaker Shambhavi Kaul has a unique relationship with not only the world of contemporary experimental cinema, but also the lineage from which it draws both its inspiration and, quite often, its materials. Jordan Cronkis a critic and programmer based in Los Angeles. Now more than ever, The Works and Days speaks to the power, beauty, and necessity of the theatrical experience. No mere feat of observation, this is a marvel of cinematic immersion, easing into each section with extended passages of field recordings playing over nothing but a darkened screen. Ryûsuke Hamaguchi, Japan, Sideshow and Janus Films With the 2021 premieres of Drive My Car and Wheel of Fortune and Fantasy, Ryûsuke Hamaguchi has joined the ranks of the world’s great filmmakers. Across five chapters, Winter and Edström chart the community’s highs and lows, capturing instances of joy and sorrow, intimacy and death, the essence of the human spirit writ through time and the passing of the seasons. What We Dont Know An Interview with Ryûsuke Hamaguchi By Jordan Cronk NYFF 2021: Drive My Car Dir. But where such daunting length might suggest something tedious or one-note, The Works and Days is constantly shape-shifting, mixing ravishing landscape imagery and scenes of day-to-day labor with bustling dinner sequences and moments of alcohol-fueled camaraderie among an extended coterie of friends and fellow farmers. Acropolis Cinema Is L.A.s Newest Experimental Film Venture Film Daniel Schindel - January 4, 2016. Watch the film: Her Socialist Smile can be viewed anytime between 25 March and 30 March via the Essay Film Festival online screening room.LINK HERE. Jordan Cronk and Giovanni Marchini Camia discuss Cannes standouts including Triangle of Sadness, Armageddon Time, and. Her Socialist Smile, John Gianvito, USA, 2020, digital, 93 minutes, English. Shot over a period of 14 months, the film adopts the form of an eight-hour workday, complete with three intermissions (one 45-minute break, bookended by a pair of 15-minute interludes) meant to replicate a typical schedule. Miller communicates this, contrasting magnificent, monochrome, cinemascope images of landscape and wildlife with the screeching, rattling grinding of trucks, cars, and crashing helicopters. In The Works and Days (of Tayoko Shiojiri in the Shiotani Basin), the two filmmakers depict the life of a farmer and his family in a remote valley in Japan’s Kyoto Prefecture. Römhild genealogized such a Europe, reconceptualizing it against contemporary normative definitions. Winter and Anders Edström return with an opus several times more ambitious. At the June 2020 e-conference Postmigrant Aesthetics: How to Narrate a Future Europe keynote speaker, Humboldt University professor of ethnography Regina Römhild argued for defining Europe as postmigrant. ![]() By Jordan Cronk in the May-June 2020 IssueĮleven years after their modest, award-winning feature debut The Anchorage, C.W.
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